shamanic art | Reflections

During the Pech Merle tour, (see previous post and my article ‘Time in the Limestone Hills’ in Toast Magazine) we were first taken into a cavern with a long tail of tree roots descending from roof to floor. It was like entering the cave of the World Tree with it’s roots in the Underworld.

“The world Tree is represented as a colossal tree which supports the heavens, thereby connecting the heavens, the terrestrial world, and, through its roots, the underworld.” (Wikipedia)

Below is a photo of what is thought to be the ‘root’ tree above ground in the grounds of Pech Merle;

The Oak With Cave Roots — The oak with roots in the cave.

Inspired by the idea of a tree with branches in the upper world and roots in the underworld, I’ve created a collage, World Tree:

It also features a Cosmic egg, butterflies and a jumble of other images, letter fradments, poems etc. I wanted to add insects as we saw so many at the cabin, especially cicadas.

Cicadas spend years below ground in a larval stage, only living a few months above ground as an adult. They also shed their skins periodically – I found a few exuvia attached to bark with all the intricate details of the live insect, even the sheen on the insect’s composite eye. This is another link with the ‘underworld’, and metamorphosis too.

I’ve added bees and wasps to the collage as in Ancient Greece bees represented a link between our world and the ‘underworld’ as well. I found various pieces of paper wasp nest near the cabin – beautiful and intricate – which I might add to some creation (watch this space).

With the idea of bees and honey, I’ve played with the World Tree image in Photoshop. Here is a honey-coloured version:

This reminds me of the Mappa Mundi that I went to see in Hereford Cathedral, Hereford, a few years ago;

I like the idea of using maps in collage and plan to do more, perhaps adding some natural materials like eggshells, wasp nests and feathers. I’ll also have to do my own Mappa Mundi at some point :)

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I’ve been thinking about boats and the idea of a Shamanic boat. When I googled ‘shamanic boat’ I found a website about Finnish Shamanism, Spiritboatblogspot (which is very fascinating and worth checking out if you’re into shamanic practices.) I also found a link to the Living Shaman Museum and a workshop that took place by a ‘spirit boatist’/artist, Jennifer Ewing. Her work intrigues me. She started making boats when her father died to help her deal with her grief.

My Uncle Ken made boats – it’s one thing I remember about him. Sometimes boats make an impression on me and one such boat was the Vasa ship in the Vasa Museum in Stockholm. It has some lovely carvings of sea spirits, tritons and mermen decorating the sides:

Another boat that comes to mind is Grayson Perry‘s ship in The Tomb of the Unknown Craftsman.

I like boat ruins too and featured one in a previous post that’s supposed to be haunted.

There is something lovely about the idea of a container carrying you over the waters.

“At night I sleep and dream reed-lined, silt-laden dreams, drifting channels in my skiff, hugging the shallows, calm and sheltered from a ravaging sea beyond.”

I decided to embark on my own Spirit Boat project, making boats and putting night lights inside them before placing them into a river at dusk as another river project.

So I started by making a simple origami boat and covering it with pieces of a letter written to the river with my hopes and dreams, words and poems. (I tried to write in the language of the river!) I stuck a rabbit vertebrae in the bottom of the boat to hold a gull feather. This became my Boat of Words.

The second boat I covered with used coffee filter papers that were stained a nice, natural coffee brown. I sewed on to the sides rabbit bones with scrim twine and used a rabbit skull as a figurehead. This became my Boat of Bones. At last I have a use for the natural materials I’m always collecting!

All the materials have a story. I collected my rabbit skulls and bones during a visit to Morfa Dyffryn, an extensive stretch of sand dunes on the coast of Wales. We visited on a cold April day when the winds off the sea chilled us to the bone. It must be a harsh place to be a rabbit.

My third boat I covered in coffee filter papers and scrim and trimmed it with dried grasses that I’d collected from a basket making day last year. I put some sheep’s wool that I’d collected from the Downs on the first really sunny day in April. This is my Harvest Boat.

Finally I covered a boat with dried, used teabag papers to give it a rustic, natural look. I then placed moss inside to finish off my Moss Boat.

In my boats I placed a night light.

One evening in July as the moon was waning, my partner Kevin and I set off for the River Ouse at Barcombe Mills where the river is gentle and accessible. It is a popular place by day; people have picnics and swim in the river. I have swum there once myself….

Swimming in the River Ouse – I can’t resist a bit of wild swimming when I get the opportunity!

We waited for dusk and then lit the night lights. I can’t help thinking the boats look like shoes! ( I think ‘shoes’ and then ‘footprints’ and have ideas for another project! Watch this space :) )

I slowly put the boats into the water and filmed them while Kevin took photos. When I looked at the footage I found it quite meditative, so I made the video below and set it to some deep, Tibetan chanting. You may be able to hear the odd chaffinch singing from the hedgerows.

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Tag: shamanic art

The Cabin – More Creations

Spirit Boat Project