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When the Sea Came

A Place of Uncertainty
A Place of Uncertainty – a page from my sketchbook.

On the way home from our trip west, I was astonished to see fields completely underwater. So much water. I am not used to seeing so much flood water, apart from on the news. It is getting closer, the flood is coming. For some, it has come.

Water seeks to connect, to reconnect – river with river, river with pond and stream, river and sea with field and valley. It can connect people too, some of whom have lost everything to the water, but their lives. For me, water is a reminder of the vast ocean of imagination and memory from which I draw inspiration and which I too often forget.

Sixty-seven years ago The Great Flood of 1953 inundated parts of East Anglia. It was due to a combination of a high spring tide and a large storm in the North Sea. A few years ago, I wrote a poem about it called When the Sea Came ’53. It’s not a great poem, it just spilled from my mind, but it’s about flooding and so is applicable now:

She was in bed, we all were, wind singing round the houses,
water pouring in
the basement of my mind.

“Julie,” I said, “Tis a bad night f’ sailors.”
Dogger, Fisher, German Bight.
Took the cars on to houses
boats on to bridges
smashed and wrecked like a runaway train.
And I said, “There’s water comin’ in all about,
the basement of my mind.”

Became crazy, Old Joe,
bagging up dykes
to save his sheep up t’ farm.
Wild eyed they were
it’s the surge that got ’em.
The library in t’ high street flooded,
the church hall flooded,
stirred the bones in the cemetery
– not long gone my old man.
And I said, “Like no other storm this one!”
When the sea came
and breached the basement of my mind.

Then this wave came and – Julie – took the babe clean out her arms.
Water and waves left their mark
tried scrubbing but it wouldn’t work.
Gave the land salt – and eels,
put fish in the fields,
changed the land into a plane of mirrors.
Three days we had of it,
When the sea came and filled the basement of my mind.

Village flooded by waves.
Village flooded by waves.

I’m trying to appreciate this stormy weather – to appreciate feeling cold and wet, and seeing the land sodden and sapped of colour and life. A storm is a living entity that whips and beats you and the landscape relentlessly; the elements in all their natural wildness. It is good that there is something we humans have not yet tamed – air, water, fire, earth, wind, sea, flame, earthquake – the rumblings of a wild planet.

For some elemental art and interesting conversation between Robert MacFarlane and Julie Brook, check out this video.

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Time of the Deer

Time of the Deer
Time of the Deer

Time of the deer,
Wind and swirling dream,
Heavy, brooding skies,
Amber light,
And the coming of night,
So early.

I feel it in my bones,
I feel it in the river, swollen now with autumn rains.

In the honey and copper forest,
Glimpsed in the woodland ride,
A presence drifts,
Scattering pennies to the earth,
The accepting, gathering, honest earth,
Where all the animals hide.

I feel it in my bones,
I feel it in the river, swollen now with autumn rains.
Time of the deer,
Wind and swirling dream.

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Night River Wood – James Roberts

At my request I’ve received a wonderful bundle in the post, a series of poetry pamphlets created by poet, writer and artist James Roberts, who lives in Wales. Beautiful artwork and imagery accompany the poems. It is great to connect with other people creating with night, wood and river as inspirations.

Night River Wood - Poetry Pamphlets
Night River Wood – Poetry Pamphlets

James set up Night River Wood as “a space to explore the interaction between human creativity and our wild surroundings, particularly the qualities of hiddenness and mystery (night), creative flow (river), and communal growth (wood).”

Occasional poetry pamphlets are created and left ‘hidden in plain sight as pieces of inspiration’ in places to be found by passers-by. Then, it is hoped, the pamphlets will be placed elsewhere to reach more people.

James has also written some great essays. I first came across his writing in Zoomorphic journal with his piece, In the Eyes of a Wolf. It made an impression on me.

I think the poetry pamphlet idea is lovely and the project interesting. The poems are beautiful, thought provoking with a hint of the mysterious, elusive animals at the edges of our lives and psyches – owls, the last wolf, rooks. I’ll savour the poetry and then think carefully about where I’ll leave the pamphlets, or who I’ll give them to.

“… You enter the vanished wood last
where darkness prepares to idle through day,
iterleaved and understoreyed,
whispering

owl

owl

owl.”

Follow James Roberts on Twitter @nightriverwood.

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River Voices

I have just got back from one of my favourite places, Penpynfarch, in a beautiful wooded valley in Carmarthenshire, Wales. As I wandered the river, lakeside and woods I listened to the many ‘voices’ I always hear when I visit, voices of the river and trees. It’s as though moments and memories from times past and future speak from the very soils, hidden spaces and waters. I found myself listening, searching and waiting, and the words ‘deep song’ came into my mind, the deep song of the river and woods.

Nant Gwyddyl
Nant Gwyddyl

With my new mp3 recorder I recorded the many voices of the Nant Gwyddyl; returning to rivers, that mean so much to me.

Listen,
Rock, cleft, moss, stone,
of memory and eternity,
the River speaks
voices of rock and root,
echoes of shoot and bark,
algal smooth
chasing
animal pelts of weed,
into
a whirlpool of laughter
an eddy of thought,
rush smooth,
babbling,
gone.

a kingfisher,
riot of dazzling blue.

A child’s voice,
A deep vowel,
sonorous tones,
silt of silk,
a current
secretly shifting the world.
A haunting harmony
carries me along by thought and dream.

I am river.

I have many photos from a few years ago, little has changed.

The ruin is a bit more overgrown,

Ruin

the wrecked caravan a little more hidden in its green swathe of undergrowth,

Wrecked Caravan
Wrecked Caravan

there’s no sign of goshawks in the trees,

Looking for Goshawks
Looking for Goshawks

and the lake is still peaceful.

The Lake Pen Pynfarch

Then rain came as it always does in Wales. So I walked in the rain and watched the herons flying to and from the heronry, the river rise, it’s voices a little stronger.

Now I am back home again I need to be patient and listen more deeply.

I am reading two books at the moment, both have “river” in the title. The first, The Other Side of the River by Eila Carrico, is a memoir and exploration of the meaning of water both physically and metaphorically in our lives, especially in the lives of women. It is written as a river flows, shifting gently here and there. The second book, At the Bottom of the River by Jamaica Kincaid. Perhaps I am drawn to anything with the word ‘river’ :) Both books flow with rivers of words or beautiful language, both weave in nature and hint at tropical lands.

Books I'm Reading

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New creations

It’s the time for nests! Everywhere I hear birdsong even in the middle of town and it’s lovely. As a child I would climb trees in the hope of finding a nest. Sometimes I did, but those I found – and collected – never had any eggs. I wouldn’t have disturbed them if they had. It’s very special getting a glimpse into a nest with eggs.

In our garden there are a couple of magpies building a nest in the top of a dead sycamore tree. The nest looks oval with a sort of thatched roof. They’re probably not yet tending eggs – my egg book says April – May. It’s good to watch them in action. I like magpies although they have a bad name and are so numerous these days. I remember a lovely animation featuring magpies on the IPM Radio 4 website that accompanied a short programme about bird watching and dementia.

Magpie Page in Egg Book

Magpie and Nest
Magpie and Nest

I have a few new creations that feature nests, apples and wings – altered books and small canvases. My Blackbird Nest altered book was on Folksy and sold very quickly:

Nest Altered Book

As it’s Spring, I had to create a Spring altered book which depicts a blackbird nest and woodland scene.

Spring Altered Book

Another one illustrates the poem, Song of the Wandering Aengus by William B. Yeats. I have chosen to illustrate the last few lines of the poem:

..And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.

The left side of the book features the moon, half the tree of silver apples and a woman. The right side features a man sitting in the sun below the half of the tree with gold apples.

Silver Apples of the Moon Golden Apples of the Sun

The poem is an old favourite of mine, first heard to music sung by Donovan in a youtube video with some lovely, loose illustrations.

The altered books are part of the Words Exhibition at Obsidian Gallery in Buckinghamshire. I also have Memory Tree Books, a little “Winged” canvas and some cards in the exhibition. The Wings canvas is similar to a commission, Stone Angel Wings, that I did last year (see photo below) It was originally based on an altered book I created some time ago.

Stone Angel Wings
Stone Angel Wings
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Ulmus Memoriam

There is a new, temporary, sculpture in the park near me, a gateway or screen, a memorial to the Elm tree. It stands beside the two of the oldest elms on Earth, the Preston Twins of Preston Park, Brighton.

Ulmus Memorium

The sculpture is carved from elms felled in the River Cuckmere valley last year due to Dutch Elm Disease. Elm trees around the country were wiped out in their millions from the 1970s by the disease. In Brighton effective control measures were introduced, so it is the last stronghold in Britain for mature English elms. There is still a wonderful variety of elm trees here, originally planted by the Victorians and Edwardians.

Ulmus Memorium

The sculpture is the creation of wood sculptor Keith Pettit and part of a project called Ulmus Maritime organized by The Conservation Foundation along the South coast. He created the screen as a memorial to this fated tree.

On the front are flying birds – rooks – a copse of Winter elms and a sun. Along the bottom are the words:

“Ad gigantes augustos olim per terram nostrum pervagatos, nunc defectos” which means “A memorial to the lost, majestic giants once spreading through our land.

On the other side are swirlly clouds like waves and the hopeful words:

“The last bastion, shielded so future generations may still know of them.”

One of the Preston Twins

The Elm tree had its own nymph in Greek mythology. She was one of eight tree spirits or Hamadryads and her name was Ptelea. Elm trees feature in ancient literature including the Iliad and the Aeneid, where in the Underworld there is found the Stygian Elm of the River Styx or Elm of Dreams:

Spreads in the midst her boughs and agéd arms
an elm, huge, shadowy, where vain dreams, ’tis said,
are wont to roost them, under every leaf close-clinging.

And finally here is a link to a lovely poem, ‘The English Elms’ by Carol Ann Duffy.

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Moving Below Vulture Rock

Blue tit, tree creeper, bullfinch;
fallen acorns and the dry crunch of dwarf oak leaves;
scent of lemon and lavender as I wade through cloud fields
flower husks, the dry, deadhead suns of Autumn,
burnished mists, soft on the gaze.

A cricket zips past with a flash of blue sky in its wings;
a praying mantis strikes a combative pose on the path, quizical, as I walk past lonely ruins,
rocks that could be sacred.
And above me, vultures caress the currents and gather on the pink-grey vulture rock of vulture cliff.

What is the land saying?
It sloughs off Summer insignificantly,
in layers and earth warming browns,
in shards and bones,
in dry, bone trees in skeletal stances,
twisted and rattling,
abrasive and catching at my trousers.
Birds flit from tree to tree,
tick tick, tack, tack…
browns, honey, straw colours, beiges…
Even the snake wears beige.

In this basin of rock outcrops,
place of layers and silence,
shades of blue fade to more watery, distant, blues,
a valley of liquid air,
a valley I fall into with my gaze,
that I could almost swim into if I reached out…

I am the cliff,
I am the vulture,
I swim the valley and push to fly;
I am the knarled tree,
the scissoring cricket,
the lizard’s liquid escape,
the overarching sky.

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Whispers from the forest

I am, once again, in the forest. An aqua forest… of dreams… caught up in an entanglement of roots, alert to the breath and whisper of rock, of clod, of underground river.

As in the poem, Lost, by David Wagnor, I must listen… stand still… let the forest find me.

In the Marine Forest of Dreams

Lost

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.

— David Wagoner

New Year and change. Letting the silt of the old year settle; lingering in shifting currents. I took a wander through a nearby wood, the sun, bright, cold and clear through tangled hands of branches, taut and white like a drum in the sky. A forest seeded in my mind…

Before Christmas, I listened to a play by Kneehigh Theatre on Radio 4 called “The Wild Bride”. The story was based on the fairy tale, The Handless Maiden and an overview of the tale can be read on the theatre website here.

In the tale a poor forester accidently sells his daughter to the Devil. When she goes feral and becomes a wild thing in the forest, I began to listen a bit more intently;

“Her dreams became deep rooted and full of forest”.

Wild or feral people, animals and characters intrigue me right now:

– The Thing in Mervyn Peake’s Gormenghast… “something human that stood dappled with leaf-shaped shadows, a child, with its thick hair hacked off close to its head and the face freckled like a bird’s egg. The body, slender, indeed thin, appeared, when the child began to move, to be without weight.”

– the wild child in David Malouf‘s An Imaginary Life“He has not yet captured his individual soul out of the universe about him. His self is outside him, its energy distributed among the beasts and birds whose life he shares, among leaves, water, grasses, clouds, thunder – whose existence he can be at home in because they hold, each of them, some particle of his spirit.”

Perhaps they represent a freer, more primitive self, a closeness to the wild spirit and nature we once had millenia back. Perhaps they simply remind us of the untamed child of our own past, I may have been somehow closer to nature then.

I took a biro, a large sheet of brown paper and inspired by Eva Jospin, doodled a forest. Here is my first Forest on Brown Paper and a photoshop-inverted one because I love blue so much. Wild child sketches follow.

Forest on brown paper

Inverted Forest

Wild Girl

Wild Child

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To Feel Again

Feel. I feel I have to start again
within my field of feeling.
I have brought down fences and the hedges are small,
I can see over chaos.
The pages of my life hang like tattered sails,
I could dance like the warm-cool breeze and they would flutter
with me.
My words have not left yet
nor the breeze, free voice of the barmy night
now the sun has gone so I cannot reach over for it.
I feel that I must begin again
within my field of feeling.

And there is promise and potential in the air
pregnant as a thought,
wordless, small to bursting.
My words like waves washed away something smooth,
a shore beneath the gulls of night.
We are beneath a gibbous moon whose pull is not enough.
I lounge and long in the backwash of this moon’s shadow.

If only I could capture this night like a moth in a jar
and savour it in my field of feeling

By day, it is alive with moths

This night is a book open in the breeze, a half forgotten chapter,
Words hang unsung, a voice unuttered, a body unstirred in an
unawakened dream.
Perhaps it is time to wake within my field of feeling
remake where words left off
and all the jars I couldn’t fill, the jars of night and stars
and milky ways and the sounds of storm petrels,
now the night is here and the moon, a nickel.

The night is bent over like a woman in indigo, a desert dreamer.
She picks her way through fields of sea campion and hares,
she dares to look between the papers and words,
the body and head,
the schisms, rifts,
the dichotomies, the hesitations, confusions, reflections.
She looks between into the field of feeling
where the rich grasses rustle
and the trees in breezes dare to speak

And she looks to the open book,
the sails beneath the nickel moon
and pulls over the blue veil til horizons meet
and from there, in the field of feeling,
she begins the dream.

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She: an icon of return

Despair Icon
Sometimes it seems I’m juggling fragments. Sometimes my art is born not from joy but despair. This picture followed other pictures I created in anguish. Here She plays with a butterfly against a background of bits and pieces; fragments of letters to the Earth, the lyrics of The River of Despair, the torn pieces of life and the swimmers and dancers amongst them, branches of The Tree of Life like arteries from the heart.

The whole is a reflection of how I was feeling at the time. Following despair, She is an icon of return.

Peeling world within the frame,
in the sky a butterfly…
as a torn and urgent wing
tries to fly…

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