It was so good to get away. I’d been in Brighton a bit too long and unable to break free of it because of the lockdown restrictions on travel. Last week we drove to Dorset and spent three nights in a lovely, spacious artist’s studio in an area of rolling hills, earthworks and rookeries. The birdsong was amazing. Two chilly mornings I stumbled out of my dreams at 5.40am on to the frosted grass of the garden to record the dawn chorus:
Listen to the dawn chorus in Pentridge:
Chaffinches, blackbirds, robins, a pheasant, rooks – we were beneath a rookery. I’ve wondered what it must be like to sleep beneath a rookery ever since I read about Roger Deakin sleeping out in Wildwood. Rooks do quieten down at night.
We watched the moon waxing, becoming bolder in its silence with each passing night as it loomed towards full; a pink supermoon, a blossoming planet. Now it’s time has passed and it’s waning once again.
One morning I set off alone up Pentridge Hill above the village. ‘Pentridge’ means Hill of the Wild Boar; from pen for hill and twrch for boar in the old Celtic language of Britain.
The wind had a distinct chill that made my eyes stream. Far off in the pines ahead of me I heard a cuckoo. It seemed to beckon, so I followed. I followed it to the western edge of the copse of trees, through gorse and bracken. I scanned the tree branches all around. Cuckoo, cuckoo now came from a tree along the southern edge. I followed the call up, along, over and through, weak sunshine sending out long, shape-shifting shadows.
It was close by but I couldn’t see it. With the wind blowing and the light wavering through the branches, the call of the cuckoo now haunted me from the east. When I walked to the east of the hill it sounded from another copse of trees, far away. The elusive bird!
They say the call of the cuskoo means spring is on its way. For some, hearing the cuckoo for the first time in the year is a sign of increasing wealth, especially if you turn some coins in your pocket. ( I didn’t have any coins in my pocket, only a mangled feather.) For others it is a more omenous sign of impending storms, hunger or death. Apparently the 28th April is known as ‘cuckoo day’ in Cornwall. There seem to be plenty of other ‘cuckoo days’ too.
Pentridge Hill was the site of ancient Mesolithic and Neolithic settlements. There is so much evidence of ancient people in the whole area of Cranborne Chase – long barrows, tumuli, a cursus, Roman roads and dykes. We had some fascinating conversations with the studio owner, who told us about the local archaeology and archaeologists in the area. While out walking she said she’d found a Neolithic flint axe head. Treasure indeed!
The studio and garden are full of artistic touches – life drawings, paintings and sculpted heads. The owner kindly gave me a roe buck skull to add to my collection and for me to draw. I made a few other natural finds.
We went for walks in Garston Wood, a RSPB nature reserve known for its marsh tits and spotted flycatchers. We heard coal tits calling, sounding like squeesy bottles. We then walked on to Chase Wood.
The next day we visited nearby Martin Down Nature Reserve with its strange humps and scrubby down, its skylarks and wheatears with their flashing white rumps. It felt ancient, but I couldn’t really put my finger on why. Perhaps it was its old, worn, threadbare carpet look. We walked a little way along Bokerly Dyke and tried to locate Grim’s Ditch, a prehistoric earthwork, but only found an area of grass a slightly different shade of green to indicate where it could have been.
I’m now thinking about the land above and below, its folds and seams, its hidden treasures, its deep past, its future, it’s bones.
A stay on Havergate Island off the Suffolk Coast in June inspired this piece of creative writing:
I look down to see a confusion of loose nests, speckled green eggs and huddles of downy chicks, dotted mud-grey and well camoflaged against the grass and splattered ground. I feel a well of excitment seeing nests with eggs and stoop to pick up a broken eggshell embroidered on the inside with a trellis of red veins. I hurry to catch up with Anthony who is fast tracking it through the haze of gulls. They swoop in big arches, their cries deafening. I think I know when they are going to attack as from a distance they fix their gaze intently and then shape to dive bomb. Anthony braces against the attacks and then I receive a vicious kick on the back of my head. I feel the sharpness of feet and beak and know that blood has been drawn. I put up my hood just as a missile of guano splatters my sleeve with chalk white smears.
I’ve done a new painting in a style that’s new for me. Kevin says it looks a bit ‘new agey’ and I can perhaps see what he means. It might be the subject matter or the colours, I’m not sure. I have been thinking about gathering birds, swallows in caves and starlings over the pier here in Brighton. They’re like twittering thoughts or memories in the loft of my mind; like a sixth sense telling me something is going to happen; there are dreams ‘waiting in the wings’. 
A quiet end to the year, a year of reflecting, writing and blogging. I stood on the balcony when the pips struck twelve and watched as hundreds of orange lanterns took to the skies. One floated quite close by from the garden next door to join the magical scene. And then fireworks on the horizon bursting forth above the silhouettes of roofs and chimneys. It was so mild compared to the recent snowy spell; I was just in a light long sleeved top.
