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New Paintings and a Pop Up Shop

The Forest Rises detailThe Forest RisesGoddess of the VineWater MaidensHere’s an update on the painting front – and back into the world of blue.

In Brighton, there’s a new Pop Up Gallery next door to Retail Therapy where I sell cards and various other creations. Back in August I was invited to display some of my large paintings on reclaimed scaffolding board. I welcomed the invite and painted two new boards in acrylic, Goddess of the Vine and The Forest Rises.

I also gave a large, acrylic canvas called Water Maidens (Emerging in the gallery) which has undergone various incarnations and now features two “Water Spirits” inspired by the Russian legends of Rusalka. ( These are fish women who were said to live at the bottom of rivers and lakes and bring fertility to the land in Springtime. Some thought them to be the souls of young women who had died beside the waters. I’d like to explore these legends further…) Looking at the painting obliquely one can see the relief created by the scrim and oak leaves I added for texture.

To my surprise and pleasure, the first two paintings sold quite quickly and journeyed up to Derbyshire apparently. The gap they left needed to be filled, so I gave two more painted boards, my Moanna, River Goddess – she’s well acqainted with the River Cuckmere – and one called Mother Nature both of which had been happily guarding my living-room. (See the photo with both either side of a lamp in the gallery.)

Ten days later and Mother Nature acquired a new home. So back to painting I went and created another two goddess board paintings that are currently on sale in the gallery, Wings of a Dove and Butterfly Maiden.

The imagery for the paintings just comes to me. I’m not looking for anything typically symbolic, I guess I just like doves, vines, waves, macaws and butterflies – morpho butterflies of the tropical Americas especially! I am influenced by shamanic art and traditional religious art too and I think of the paintings as sort of totem poles or stelae, without the grave association :)

Butterfly MaidenWings of a DoveGuardians in Retail Therapy

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Hummingbird

Hummingbird has entered my life. I’m not quite sure what I think of Spirit Animals, Animal Totems, Western Shamanism, I try and keep an open mind about it all and find myself drawn to it sometimes.

Feathers
From left to right: 3 tawny owl, feral pigeon, carrion crow, 2 magpie, herring gull, 4 jay, 2 buzzard, pheasant and an unknown.

I’m always interested in animals and wildlife, although this rarely creeps into this blog. A jackdaw has taken to frequenting the scaffolding outside my bedroom window; we were curious about each other. Sometimes it feels as though nature/wildlife has a message and that I should listen. I’ve found myself collecting feathers from woodland paths and even the street. Recently I found a buzzard feather and now I actively search for them – owl, jay, woodpecker – any feather of any bird. Summer may be the best time to find feathers when birds are moulting, but now is OK as well. Feathers give me a tangible link to the natural world; I even had a dream about one. I’m being drawn to birds, to the sky, to flight and freedom.

So often I’ve thought (symbolically) that my “wings” are torn and broken and however much I wish to “take off”, I can’t. It is a sort of freedom I seek, but something has always held me back or down.

My first experience of hummingbirds was in a garden in Mexico. The bird came quietly like an apparition to visit some red blooms – probably hibiscus flowers. It seemed as though it was an uncanny link with an “Otherworld” at the time, as though this was a special, silent messenger. I’ll never forget the memory.

Hummingbird
Hummingbird on reclaimed wood block.

I mentioned another hummingbird encounter in a piece of writing recently published in the magazine Earthlines:

“…After a few minutes I hear a noise, more like a vibration than something audible, coming from my left. It is like feline purring, a soft tinnitus, another sound in this place of voices. A fragment of the forest’s heart splinters off and a tiny hummingbird comes into view unlocked from its own chasm of sound, beating within its own silent bubble.

A coil of memory, recalling a poem by D. H. Lawrence, spools out in my mind,

‘Before anything had a soul,
While life was a heave of Matter, half inanimate,
This little bit chipped off in brilliance
And went whizzing through the slow, vast, succulent stems.’

The bird hangs needle sharp, chest out, suspended in a brief blur of wings, threading the air. No brilliance here, more like a moth it hovers, patiently in the half light. But, there’s something misplaced, unravelled, something lost and found in the single, graceful poise of this tiny bird fluttering like an off key note against some invisible membrane.

I feel privileged to be caught in a moment with this bird. When the Sun seeks the Moon, says Mayan legend, it becomes a hummingbird. I feel like the moon, feel as though the bird has a message from another world just for me. The moment passes and the White Bellied Emerald is gone, disappeared into the gloom.”

Now I’m painting hummingbirds. And not just in blues! So much of my painting is in blues and turquoises – that I love – but I’ve broken the blue spell and want to paint in yellows and maroons and golds and ….

According to various sources, hummingbirds can symbolize many things – energy, joy, perseverance, flexibility, Eternity and Infinity. Apparently hummingbird wings flutter in a figure of eight, the symbol of Infinity. Hummingbirds appear playful and light encouraging enjoyment of life and positivity. I do feel joy, after sometime of shadow, should I trust it I ask myself…

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Virgin Film 2

Photo from Virgin FilmIn a previous post, here, I mentioned a project by Megan Hollingsworth that involved creating a film called “Virgin“. Megan put the project out there for crowdfunding. Now the film has been made and can be seen here.

Megan quotes the Palo Alto Medical Foundation:

“Virgin was a label of strength and independence by being used to describe the goddesses who were immune to the temptations of Dionysus, Greek god of seduction and wine. Virginity was once a term of power.”

The film is a gentle, eloquent plea. It begins with some haunting singing which has something primeval, archaic about it; I imagine forests of trees that have been standing for centuries, even millenia. They have witnessed so much time in their long lives. The film is a plea to protect them, to spare them the savage devastation that has wrecked so much of the natural world. Megan calls, sings, recites from the depths of her heart and from her past with a poignant passion. She feels keenly for forest destruction and feels the invasion into the lands of uncontacted, tribal people, as a violation of herself. Her boundaries, her body and her being were once violated; now she can say “No”.

The words are simple and beautiful, the film, a filmpoem. It takes courage to speak out and create something beautiful from a terrible experience, and send it, as a plea, into the world.

Extinction Witness supports many of the organisations that mean a lot to me: Survival International, Pachamama Alliance and others.

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Long Barrows

Belas Knap with Kevin
Belas Knap

Continuing the subterranean theme, on a recent trip to Gloucestershire I visited a couple of long barrows with my partner. Walking part of the Cotswolds Way we came upon Belas Knap Long Barrow, an elongated mound which can be seen from quite a long distance away. From the side it is triangular in shape, rucked up from the earth. We approached it on a path the colour of terracota.

Belas Knap Side Chamber
Belas Knap Side Chamber
Belas Knap with False Entrance
Belas Knap with False Entrance

Belas Knap – possibly meaning “Beautiful Hill” – is Neolithic, 5500 years old and is, indeed, a beautiful hill; marbled white butterflies flit amongst the field scabious and red clover flowers. It is a rounded, elongated mound – the earth’s pregnant belly – and has a “false” entrance and four cave-like side chambers where 38 human skeletons have been found entombed within this womb of earth. The small chambers, with neatly layered dry stone walls, make adequate shelter from the elements if one enters on hands and knees.

Boat to the Afterlife
Boat to the Afterlife

According to Robert John Langdon,  the area was once a land of water and long lost rivers, and the long barrows may have been “Boats to the Afterlife”. It’s a beautiful, but controversial, idea. It was later, during the time of the Vikings in Anglo-Saxon Britain, that the dead were buried within real, wooden boats intended for the Afterlife – Ship Burials.

Uley Long Barrow Entrance
Uley Long Barrow Entrance
Uley Long Barrow Chamber
Uley Long Barrow Chamber

The other Neolithic long barrow we visited was Uley Long Barrow just off the Cotswold Way. It is also called Hetty Pegler’s Tump after the wife of the seventeenth century landowner where the long barrow is situated. This long barrow can be entered and its interior chambers explored.

Inside it was dark, musty, silent. The interior chambers were coal black so I set my camera to flash and took a photo; it was like entering a cave. Were the ancients trying to replicate caves in an otherwise cave-free landscape? I shouted into the void but my voice died on my lips, muffled and lost in the blackness. It felt close, slightly oppressive – I could almost feel the weight of rock and earth above. There was I within the womb of peace, the resting, liminal place of ancestors. Perhaps a place to commune with their spirits and acknowledge death. I pondered a moment and felt, ever-so-slightly, my materiality, my sense of self, dissolving into the velvet darkness about me.

Some long barrows have acoustic properties and I’m reminded of a programme on Radio 4 last year called Noise, A Human History by Professor David Hendy. In two episodes, he explored the acoustics of stone circles and caves. Sounds, or their absence, may have played an important role in making these sites sacred.

In some studies of Neolithic burial chambers, it has been found that during acoustic experiments, researchers experienced deep trance-like states and drumming vibrations were enhanced within the chambers.

“[West Kennet Long Barrow] was never just a tomb, it was a liminal crossing place, where shamans journeyed to ancestral realms for knowledge and healing”. Peter Knight

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Dreams, Crypts and Grottos

A few nights ago I had a dream that made an impression on me. In the dream, I was involved in a centenary project concerned with a crypt. My role was to update the crypt website. The crypt had a story, a legend involving a seventeenth century woman who would steal down into the crypt perhaps to meet her lover (?) One night the crypt flooded and the woman persished. Her ghost walks the crypt to this day.

Dream Ghost in Grotto

The woman in the dream is, perhaps, a part of me, the crypt may symbolize or the unconcious, the hidden vaults, rooms, labyrinths of my mind. And that it is flooded? – I often dream of water – the sea, rivers, estuaries, swimming pools – emotions, the unconcious or memories. Centenary? … well, a hundred years ago, the First World War had just begun.

Dream Ghost in Grotto 2

Shell Grotto Lizard

I made some sketches of my dream but what illustrates it best are a couple of montages I made with an old illustration and photographs that I took when visiting the Shell Grotto in Margate in 2012.

The Shell Grotto is an amazing and mysterious place with an unknown origin. It may date back 3000 years. Some wonder whether it was made by the Knights Templar. The shells decorating the walls are all of local origin but some of the designs are similar to those of ancient Phoenicia and it is thought that the name of the Isle of Thanet, once an island where Margate now lies, derives from the Phoenician goddess Tanit. Could this be a temple to the goddess?

The grotto walls are encrusted with shells in patterns of turtles, flowers, Gods and Goddesses, phalluses, planets, wombs, skeletons and there is what looks like an altar and a skylight, the only source of natural light. One theory proposes that the Grotto imagery symbolizes a journey from Birth through Life and Death to the Afterlife. One walks down into the grotto along passageways until one arrives at the main Altar Chamber. It is mysterious, magical and quite overlooked in a way.

Shell Grotto Altar

The grotto suits the dream well although it’s not a crypt. The woman ghost or goddess of my dream wanders sea shelled passageways throughout the centuries.

Sound II

I googled flooded crypts and seventeenth century ghosts to build a story. I found lovely images of Winchester Cathedral crypt that floods at certain times of year. In Winchester Cathedral crypt stands an Anthony Gormley sculpture of a man contemplating water in his cupped hands; it’s called Sound II. Anthony Gormley believes that there is a connection between memory and the basic physical elements of the world. He wondered whether it is possible to make something fresh like dew or frost, “something that just is, as if its form had always been like this”. I think the flooded crypt and sculpture beautiful. (Image of Sound II by David Spender.)

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Two New Paintings

I was really pleased to sell my Water Goddess tryptich recently. And on the same day I had a commission to paint a version of Sun Dancer that I sold a few years ago. This was good encouragement to get some more paintings out there. Here are my latest, a River Goddess painting and another version of Siren:

River Goddess

Siren 2

River Goddess is on sale in Goddess Temple Gifts in Glastonbury and Siren 2 is in the Park View pub, Brighton.

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Recent Published Pictures

I’m very pleased to have my “Dancing at Sunset” image in the lovely Earth Pathways Diary 2015! I’ve just received my complimentary copy :)Earthpathways Diary 2015

This has proved to be a popular image; it also features in a small article about me in the Spring edition of Ingenue magazine along with a few other favourites including The Long Man of Wilmington and Havergate Hare: Pages from ingenue Magazine Spring 2014

I’m happy that some of my images are in a recent edition of The Mother magazine too:
Page from The Mother magazineMore pages from The Mother magazine

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VIRGIN Film

This is becoming another year of trees for me – and for others too. I came across a brief video about women and trees made by Megan Hollingsworth. Megan is the creator of Extinction Witness. She is a poet, writer, dancer, mother and compassion activist. She feels passionately about stopping the destruction of large forest trees and has set out to create a seven minute film that explores this destruction and how it relates to her healing journey following childhood incest.

“VIRGIN is a 7-minute film that tells the stories of grandfather tree, a giant sequoia cut for show in 1853, and a woman healing from early childhood incest in 2013. The film uses poetry in the form of spoken word, dance, imagery, and song to weave these stories through to the roots of violence toward all that shines with grace.”

To help fund the production of the film VIRGIN and find out more go here.

I have been working on my own mini video that involves trees, woods and movement. Coming soon!

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Fadistas

Fado, which means “fate”, has obscure origins – in back street cafes, bars and the alleys of the poorer parts of Lisbon perhaps. Some say it began with lonely voyages when sailors would sing of their homesickness and loves left behind. Whatever it’s origins, there is a strong association with the sea, and with that loss, longing and nostagia.

Below are two illustrations inspired by Fado. Initially I was going to draw in blue pen but decided that I wanted a darker, richer illustration with more depth, so I chose mixed media using black and blues, ink and watercolour pencil with collage. Woman of the Song was created a while ago and in greens; she was a woman draped in greenery similar to my Sleeping in the Forest illustration. I wasn’t happy with it then, but felt better adding words and a blue overlay of ink to create a woman in mourning. Not all fadistas are women of course, but mine will join my other women portraits and pictures. Sometime I’ll work harder at depicting men, which I don’t do very often :)

The FadistaWoman of the Song

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Blue Tiles, Bones and Time Out in Nature

My recent visit to Portugal has left me with many impressions. We stayed at Pego Ferreiro in two cabins, the Boar Hide at first followed by The River Lodge. The Boar Hide Pego Ferreiro The Boar Hide is shrouded in trees and overlooks a glade where wild boar come to forage. We spent some evenings watching the scene silvered by the light of a waxing moon.

But no boar came. By chance, we spotted a family of boar across a vale making their way through boulders and broom scrub while we were out wandering one morning.

Most of my days were spent dawdling by or in the river, watching butterflies and enjoying the peace and beauty of nature. In the River at Pego Ferreiro But we also went for walks, tended the fire – The smells of woodsmoke and yellow bloom linger in my memory – cut wood, filtered water, showered in sun-warmed water and read; heard nightingales, cicadas, frogs in the depositos and the river that never slept.

The River Lodge Pego FerreiroView from The River Lodge The River Lodge is a tented “cabin” perched on a platform on rocks overlooking the River Sever below. The river suffused my days and dreams. The moon embedded overhead, shone like a pearl and spilt into the waters below; vapour trails of planes became waves across the shores of the night sky. Mayflies, butterflies, frogs and snakes came by day and at dusk, crepuscular toads crept too inquisitively close to the fire.

Boar Bone? One day, we found the bones of an animal and wondered whether they belonged to a boar. I sent photos to the experts to find out. They’re bones of a horse apparently… I think of some poor, stray animal lost in the hills and vales without a rider…

From Pego Ferreiro we went to Coimbra and Porto. I found myself atuned to urban nature in the cities, the wildflowers growing in gutters, the screeching swifts scything the air and the scimitor wings of a kite over the rooftops.

We paused in cool, shadowy cloisters festooned with moss and algae and the odd green man.

Green Man in Cathedral Cloisters in Coimbra

I loved the fading, crumbling shabbiness mixed with the grandeur of the past. Blue tiles and murals were everywhere – like this one of Jesus on a kite on the facade of Carmo Church in Porto.  Why blue? The cobalt blue of porcelain… I am drawn to blue. The Portugese call them Azulejos, from the abrabic word Zellige but so similar to azul, the word for blue.

Jesus on a Kite Mural in Porto

Fado leaked into my conciousness; it strained from the speakers of a souvenir shop selling fake tiles and a couple played and sang outside a restaurant down some narrow street where children played and fruit boxes spilled over the pink, ceramic cobbles and I caught my passing reflection in boutique windows. There was a Fado Centre with plush seats where Fadistas performed each evening; a strange, bronze statue of a woman with the body of a guitar stood beside one of Coimbra’s old, city walls and closeby our favourite square where a lame siamese cat slipped the affections of passersby. I feel drawn to Fado, the sentiment, the nostagia, the longing or as the Portugese describe it, “saudade” – a word with no real translation. I can see how some of my drawings hint at the same pathos – like Embracing the Waves from my Turtle Dreaming story – the longing, the sea, the loss…

Embracing the waves

If a gull would come
Bring me Lisboa sky
In the drawing it would make

In that sky where the look
is a wing that can’t fly
Weakens and falls to the sea

What a perfect heart
In my chest would beat
My love in your hand
In those hands
Where my heart fitted perfectly
…….

Words taken from a Fado song with no title.

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