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A butterfly trapped in stone….?

LabradoriteA couple of weeks ago I had some Shamanic healing. I was told to choose a stone from a selection of different stones and crystals laid out on a lovely homemade felt square. I felt very drawn to a dark stone that seemed to have a mere hint of blue to it. When I took it and examined it more closely, the stone flashed the most beautiful irridescent blue at me. The rest of the healing ceremony was interesting – but it was the significance of the stone that I took away with me. I found out that it was Labradorite.

According to The Crystal Bible, Labradorite is said to be a highly mystical and protective stone, raising consciousness and connecting with universal energies. It is a stone of transformation and esoteric knowledge. It calms an overactive mind, energizes the imagination and dispells illusions.

Morpho on bootI couldn’t help thinking about a butterfly trapped in stone. The stone flashed like a butterfly, a Blue Morpho. Morpho is a genus of brilliant irridescent blue butterflies found in Central and South America. A meandering path of memories came to me of my visits to Costa Rica and Ecuador where I’ve seen many Morphos before. Perhaps, those places have more to teach me…? I feel like writing a story about a butterfly trapped in stone….watch this space :)

Release the butterfly. If there’s such a thing as a totem animal, I think mine might just be a butterfly right now – even a Morpho. Perhaps the butterfly is teaching me that changes can be good and bring freedom, lightness and detachment. Perhaps it teaches me to listen to my soul. (Psyche means both soul and butterfly in Greek.)

I recall a few memorable butterfly encounters. I spent years butterfly monitoring at a nearby nature reserve. I became very familiar with the chalk downland butterflies, mainly the “blues”, including the fabulous Adonis! It is like a meditation walking through grassland with butterflies flying up all around, noting each one and moving on. Walking through tea plantations near Munnar with Kevin on a visit to Kerala in India, a swarm of light blue butterflies as far as the eye could see enveloped us. A joyous occasion! In a forest in Mexico, I came across a strange butterfly that made a clicking sound with its wings. I found out that it was a Cracker butterfly, genus Hamadryas. And then there were the stunning Morpho butterflies.

River of Memory 2

Blues of Morphos, Adonis butterflies and labradorite have ignited my passion to paint in bright blue. I’ve developed my “River of Memory” painting to make it somewhat more aqueous – they could be ‘swimming’ with butterflies instead of birds. I’m not sure I like the dots, I may have to merge them somehow.

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Marine dreaming

Water: Origin of Life by Diego Rivera

Marine DreamingA recent television programme, Timewatch: Atlantis: The Evidence has fired my imagination. A summary of the documentary is as follows:

‘Around 1620 BC, a gigantic volcano in the Aegean Sea stirred from its nineteen-thousand year slumber. The eruption tore the island of Thera apart, producing massive tsunamis that flooded the nearby island of Crete, the centre of Europe’s first great civilisation – the Minoans. This apocalyptic event, many experts now believe, led to the eventual downfall of the Minoans, and provided the inspiration for Plato when he later wrote about the people of a mighty island, Atlantis, which sank beneath the waves and was lost forever, ‘in a single day and a night of misfortune’.

Minoan ceramic jar after Thera explosion

I’m once again back into drawing. I wanted the woman in my picture to be “awash in a pearly dream” of sea creatures – just like the sea creatures on the Minoan ceramics after the Thera explosion that caused a tsunami to reach the shores of Crete. I thought I could perhaps use the idea in my Turtle Dreaming story.

I have been inspired by other art namely Diego Rivera’s Water: Origin of Life mural, my favourite mural that sadly no longer exists as it was painted in Mexico City’s water system and has now been washed away. The theme was homage to the life-creating power of water. I like the hands, the myriad of protoplasmic life forms, the crabs, lobsters, representations to people and god-like figures and the cross-section nature of it.

And recently, I have dreamt of boats leaving their moorings and the arms of the harbour, setting out to sea on voyages into the unknown. It is good to feel as though I’m once again going somewhere :)

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Seeds….

Holding elm seedsThousands of elm seeds have fallen in great drifts in my street.

Wind dances
crazy seeds
A flitting,
chattering,
chase
on to steps and porches,
patios,
through windows,
like children, they play,
covering carpets
with the wild gift of
Spring confetti.

A girl scoots through an elm seed drift
as though through snow;

This is the time of Elm,
through its dance, it speaks.

Inside an elm tree

Brighton has many elms, they are famous survivors. We have possibly the oldest surviving English Elms in the world in Preston Park just down the road. They’re called The Preston Twins. Hollow giants, they’re home to bats and, if one is lucky, one may see a White Letter Hairstreak butterfly flitting among the canopy leaves in early summer. There are few mature English Elms beyond Brighton because Dutch elm disease has wiped out all but the odd one.

Seeds of Inspiration

“Dreams are the seeds of change.
Nothing ever grows without a seed, and nothing ever changes without a dream.” (Debby Boone)

I have seeds of inspiration…

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River, sand and tree goddesses

Nadalian's Rock of FairiesI have recently discovered the lovely work of Iranian environmental artist, Ahmad Nadalian. He carves stones with fish, other creatures and goddess-like images associated with rivers and the sea around the world. He carries out rituals of returning his carved fish rocks to rivers to raise awareness of pollution. In his words:

I was in search of my lost paradise. I wished to spend time surrounded by nature and living with nature. Upon my return to the land of my forefather I found that my paradise no longer existed. The wellspring was polluted and river no longer had fish. The rivers are sown and the meadows are planted with villas.… I have created hundreds goddesses and fish on the stones of the river and have dedicated them to nature. I wanted to build his own paradise. I liked to believe that these fish are alive, and were swimming against the tides… they are metaphors for nature and the life of living creatures who endure pain, suffering, and are destroyed by the evils of our time.

I have taken refuge in the deep ravines where I can overcome evil. There is a temple where I am at peace to worship water. I am not tired. I am determined as ever to build my paradise.

Sand Goddess

Words to ponder on. I too want a paradise, a beautiful natural place in which to dream, to take refuge. And I need to dream. Nadalian’s Rock of Fairies done in France captures my imagination the most. See the photo above.

I need nature, earth, leaves, grass, rock, water. And I sense a return of my interest in goddess imagery. I wanted to find and connect with some rocks somewhere. I like the idea of creating with natural materials that are present wherever I happen to be – beneath my feet; to make a small gesture in nature that arises from and belongs to the place.

I visited the nearby Blackrock beach to look at the cliffs, the sea-sculpted chalk shore. I found myself doodling in some patches of sand,… moulding.. a Sand Goddess figure that the tide will return to the sea!

Tree woman carving Cae Mabon

Alexi engraving rock

I’ve just had a replenishing trip to Wales staying at Cae Mabon eco-retreat. It is a place to dream, indeed, to reconnect with oneself and nature. I love the wonderful round cob buildings, the rushing river, the peace; the moss covered hillside and lichen-loaded trees; the fires each night beneath the moon shrouded in its “winter halo”…

Someone had carved a beautiful woman in a tree beside the river; she holds a heart above her head… a River Goddess?

Kevin and I spent some special time there in nature – pottering about the river and woods. I even found a lichened rock to scribble on :)

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Springtime dance in an orchard

Pink candle

I have a yearning for beauty, a yearning for Spring and finally it’s arrived. Sunshine, birdsong, cherry blossom in the park – it’s beautiful and I want to soak it up! And I want to move, dance somewhere beautiful in nature too.

I love the beautiful dance prayer for Japan by Lee Atwell. Inspired by Butoh, Lee dances to celebrate our connection with the Earth and has recorded her beautiful and inspirational dances since 2009, The 50th anniversary of Butoh, on her blog.

Inspired by Lee’s dances, I went to the Stanmer Park estate to find a quiet space in which to move in nature. I discovered an apple orchard that I didn’t know about tucked away near the church. I like orchards, there is something magical about them. There are ghost memories in the moss, the lichen, the contorted branches and earthy dampness; …lovers meeting in secret, children steeling in to play beneath the blossom or to scrump, …a quiet pause in time, a moment captured forever. There’s a hint of something forbidden too – perhaps I was trespassing! Apple trees are steeped in folklore and symbolism.

Orchard dance I felt awkward at first but soon allowed myself to simply move naturally feeling a mixture of joy and sadness. With Spring here I feel like celebrating but there has been some sad news for my partner Kevin. I danced both this joy and grief in the orchard amongst the knarled and lichened Bramleys and Cox’s Pippins all awaiting to flourish their first leaves and blossoms.

Feeling grass beneath my feet – a tingling sting of young nettle, a dampness of moss. I moved to a light mosaic of birdsong and the silent conversation of trees.

Spring dancing woman

I am including this painting, Spring Dancing Woman, that was painted around New Year. Its definitely about Spring. It has a dotty technique, unlike some of my other dancing women paintings. I like the colours but I’m not sure about the technique!

Enjoy the sunshine while it lasts!

“Though we travel the world over to find the beautiful, we must carry it with us, or we find it not.”. Ralph Waldo Emerson

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Roots to the Sky – Upside down tree

Roots to the skyI have been inspired by my visit to Seahenge to draw two pictures of the tree that links two worlds. Neither drawing quite captures what I wanted to convey, but I like the bright blues and the birds – free to fly wherever – in the colour version. I included a few figures of “souls” in the pen and ink drawing, small amongst the other-world branches, like dancers.

Roots to the Sky

The figures remind me of a project I discovered a while ago called “TreeSpiritProject”, by photographer Jack Gescheidt.

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Seahenge reflections

Norfolk tree

I have been suffering from nature-deficit-disorder. Surrounded each day by concrete, I have badly needed to get away. My chance came last weekend when Kevin and I took off for Norfolk to stay in a tiny little cottage for two called “The Retreat”.

Rainy and grey it didn’t matter as the low lying landscape had great atmosphere. Solitary trees — including a few stag-headed oaks – naked of their leaves, stood silhouetted against vast skies. And crows, rooks and seagulls milled over ploughed land and created a clamouring parliament in the trees. The fields were wet, soggy under foot and shifting rivers and lines of broken Crack willow gave the landscape a shabby, neglected feel. But it was so good to get away and reconnect a bit with nature.

Seahenge before it was moved

One thing I’ve been wanting to do for ages is visit Seahenge which was discovered at Holme-next-to-the-Sea on the North Norfolk coast. I didn’t know much about it other than it was a circle of 55 wooden posts with a central tree stump exposed in the mud at a lowtide back in 1998. It was a romantic find, but it was removed from its site back then and part of it ended up in a museum at King’s Lynn. It was there that we went to find out more about it.

Seahenge has been dated to the early Bronze Age, 2049 BC, a similar age to Stonehenge. The tree stumps – including the central stump – are of oak . It’s interesting that the central stump was deliberately placed upside down. (Apparently it was lowered into the ground with rope made of honeysuckle. Honeysuckle rope…. there’s something lovely about that.) One theory states that this could have been an altar for placing the dead thereby exposing the body to the elements and wild animals, which would liberate the dead person’s spirit, a practice called excarnation. On the other hand, it may have been a shrine to trees instead, perhaps.

Seahenge tree with reflection

According to Dr Francis Pryor, inverting the oak is like taking a symbol of life and returning the life forces to the earth, the source of life. The release of possibly ‘dangerous’ energies required containment, hence the circle of stumps. Intriguing, turning life upside down! Certain mythologies like those of the Lapps, have a three part cosmos — a world above, around and below us. An inverted tree would have roots in our world but it would be growing into the underworld. The tree would be seen as drawing different worlds together, a way of communicating between our world and the world below the ground — a paralell world. A world inhabited by the ancestors?

Pondering on the oak stumps in the museum, the deep past, something so old, from so long ago, I caught my reflection in the glass.

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Dancing through the Elements

Earth Seed WomanI went to a new drop-in movement session on Monday evening run by Caroline Carey founder of Alchemy in Movement. It’s called ‘Movement Medicine’ or ‘Medicine Dance’ and has grown out of the 5 Rhythms. We were taken on a dancing journey through the ‘elements’, Earth, Fire, Water and Air. There’s something special about the elements that never fails to ignite me, something profound, something simple, natural and, well, elemental!

Earth is heavy, I imagined it encasing me like soil, sticky, fertile, moist with moss, wood and roots. I have had a thing about roots recently, a need, perhaps, to refind mine. We sent imaginary roots down through our feet for stability and grounding. To dance earth I think of strong, low movements and trees with only their upper most branches swayed by the breeze. At first my legs were stiff as cinnamon sticks but soon it felt good and I liked the idea of drawing up sustenance from the depths. The music was deep with digeridoos and natural sounds; I bathed in it. My picture of Earth is of a seed harbouring an embryo self, like an insect imago, roots reaching out.

We moved to Fire. Looser music, looser dancing; I travelled the length of the room, to dance with the fairy lights and candles. I cared less about how I moved, fire shooting up within me shredding the overlay of Winter. Burning, smouldering flames, the gentle creep and heat of lava. That did me good.

Swim to the Stars

Water transformed me into waves, moving back and forth, bobbing with flotsum and jetsum. I was adrift, tumbling with breakers, moving constantly. Then I became a weed, tethered in a stream, helplessly flailing in the clear rush of torrent, washing debris away downstream.

And Air, the zephyr, feather light and soaring, a floating miniscule pulse. Air was for me, still, quiet, paused, a tired sigh. I was happy to lie and roll on the floor while Caroline took us through a closing meditation. The evening had been gentle, but alive with imagery, music, sounds, subtle and not so subtle dancing by everyone. It was good to be dancing freely again with other people.

I felt inspired to create so I’ve worked on a couple of pictures in mixed media – acrylics, collage, scrim and stitching – Earth Seed Woman and Swim to the Stars. However, other people’s artworks come to mind. For example for Water, Bill Viola’s films like The Messenger or Brighton based Mim King’s lovely dance film, ‘Dust’ an excerpt of which can be seen here.

I think of Ana Mendiata for Earth and for Fire. I’ll work on my own Fire and Air creations soon :)

Ana MendiataDust by Mim King

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The Boat Project

My knotched piece of drift wood

I’ve just found out about a great “art” project in the South east – Emsworth, Chichester harbour to be precise – that started today, The Boat Project. The project involves creating a 30 ft sailing boat out of bits of wood donated by the public. Each bit of wood has to have a story, so the finished product will be a “boat of stories”. Truly a boat of the people.

The project is a collaboration between artists Gregg Whelan and Gary Winters of Lone Twin, acclaimed sailor and boat builder Mark Covell, and international boat designer Simon Rogers. I was very excited to learn about it as I like any wood, boat, sea, art connection.

There’s a wood donation day in Brighton on 8th May and I thought I’d make a humble donation in the form of a piece of drift wood that I found when doing turtle monitoring for Archelon in 2004. Each day I made a knotch in the wood to count off the days til I would leave – a bit like Robinson Crusoe! I enjoyed the monitoring but was still keen to get home! Perhaps they’ll accept it, perhaps they won’t, I’ll see in May!

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Latest painting

Kissing the Blue Moon

Another painting. I wanted to continue with the dark blue aqua colours and include leaves and scrim for textures and gold dust to give a shimmer. Initially I just did the head and moon but it looked a bit disembodied so I outlined a body. I didn’t want to fill the body in, just leave it as a vague linear figure. I’m not sure it works!

Earth & I Gave You Turquoise

Earth and I gave you turquoise
when you walked singing
We lived laughing in my house
and told old stories
You grew ill when the owl cried
We will meet on Black Mountain

I will bring corn for planting
and we will make fire
Children will come to your breast
You will heal my heart
I speak your name many times
The wild cane remembers you

My young brother’s house is filled
I go there to sing
We have not spoken of you
but our songs are sad
When Moon Woman goes to you
I will follow her white way

Tonight they dance near Chinle
by the seven elms
There your loom whispered beauty
They will eat mutton
and drink coffee till morning
You and I will not be there

I saw a crow by Red Rock
standing on one leg
It was the black of your hair
The years are heavy
I will ride the swiftest horse
You will hear the drumming hooves.

From the book In The Presence of the Sun by N. Scott Momaday

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