I have often had an image in my mind of a woman trapped in stone beneath the waves, a sort of Rock or Stone Goddess or Buddhess. I first drew a picture of this in my diary back in 1989. I think I was feeling reflective at the time.
Rock Goddess in Diary 1987 – She looks a bit like the Mona Lisa as she looks out serenely from her place of stone!
The image has stayed with me so I thought I’d work with it on another altered book, a colour one this time. Playing with photoshop and layering several images, I put together the image below to help inspire me: (I might make this image into a small card.)
I have two large dictionaries, but I thought there’s something sacrilegous about cutting up a dictionary so I bought a secondhand history book from my local PDSA charity shop (I should, perhaps, have read it first!). It’s a bit of a tome as I wanted some depth to the images.
The result is below. It’s coloured with inks, a mixture of turquoises, blues and golds. The creation of it was a way of expressing a feeling of entrapment I feel at the moment and a reminder that there is treasure within even if I can’t always see it :)
Work-In-Progress Altered BookSea Grotto Altered Book
Here are some of the pages. Click on each to see a larger image:
I’m a bit of a tea addict and certainly get through tea. So recently I put aside a few empty tea packets with the idea of turning them into something instead of recycling them.
Empty tea boxes waiting to be made into something.
In need of distraction at a very busy time, I started making a little box of ‘forest’ by first cutting a rectangle out of the front of one of the tea packets and covering it with some printouts of my Memory Tree book inside cover. I then created layers of a forest scene in the same way as I do for altered books and box frames (but a little more hastily as this was just a prototype to see if it would work. If it worked – who knows, perhaps printed card boxes to self assemble for fun :))
Here’s the result, a deer forest in a tea box!
A Forest in a Tea Box
I cut up more printouts of my Memory Tree book inside cover and stuck it on card. Then I cut around the images of the girl and trees to create layers. I stuck these inside another tea packet. Then I covered the tea packet with the leftover printouts and put inside some small, battery-powered LED lights. The result looks like a sunny day in the woods or a forest fire!
Tea Packet Light Box
I think I’d better get back to doing something more useful!
I still have a thing about foxes and have been watching them wandering around the gardens next door in the snow. I hope they find enough to eat.
Last year I took photos of the fox family sunbathing in the garden next door. One of the photos was taken in January, it must have been warm.
These are the inspiration for my fox ‘altered books’ except I draw them in a woodland clearing. I have yet to do an urban fox.
I’ve just created a pocket ‘altered’ notebook, Fox Wood, featuring a fox among some ivy covered trees and a couple of rabbits hidden in the pages. It’s now for sale in my Etsy shop
I’ve been making papercut cards. There have been a few birthdays this month so it’s been good to make cards instead of buying them or using one of my printed cards.
First I made some of my greetings card images sepia in photoshop and printed them out, two of each.
Sepia Printouts
I cut out the images and stuck them on to a folded pieces of white card, one outside and the other inside.
Sepia Campfire Card Uncut
On the campfire card I cut out areas between the trees on the top layer creating a layered sepia card of a woodland campfire.
Sepia Campfire Papercut Card
I played around with some of my other designs.
Star Goddess Sepia Card – a composite of Star Goddess and Anteater Dreaming.
The glued image can snag a bit when cutting which doesn’t happen when I cut my altered books and box frames which may be because this card is quite thin. I’ll find a way of clean cutting them and try a few other things out soon.
Recently I was commissioned to create an altered book with the simple suggestion of making it somewhat ‘foreboding’. I usually draw forest/woodland scenes – leafy undergrowth, gnarled trees, roots – but this time I thought I’d add a human element, a ruined house. One can’t get more foreboding than a ruined house at night. (I love ruins, especially when you stumble on them accidently…)
Ruined Chapel, Norfolk
I started thinking more about ruins then and I suppose I have a favourite ruin, Baconsthorpe Castle in Norfolk, a fifthteenth century fortified manor house. It is supposed to be haunted – a watchman walks the ruined walls and throws pebbles into the moat. The setting of Baconsthorpe adds to its ominous ambience – isolated in fields, bleak in winter, a few leafless trees silhouetted against the sunset, the presence of crows, the mist of dead teasel and willowherb. When I visited a few years ago, a barn owl appeared in the evening light and beat the ruin bounds. (I’ve written about my barn owl experience in the book that I’m writing. See my illustration for it below.)
A view of part of Baconsthorpe ManorBarn Owl at BaconsthorpeBaconsthorpe Castle Watchtower
So I was thinking of Baconsthorpe when I added the ruined building to one of my recent altered books.
Ruin Through the Trees Altered Book (click on the image to enlarge.)
I have now listed a few new altered books in my website shop. They’re also available in my Etsy shop. If you would like a book altered with a theme of your choosing, it would be great to discuss it with you. Contact me here.
I’m having my first solo art exhibition at the Sustainability Centre in Hampshire. It starts today, 6th July and goes on until 30th September.
Screen shot of the Exhibition at The Sustainability Centre webpage.
Yesterday I drove with my partner and a car full of artworks to the centre near East Meon. We spent a few hours putting ropes and hooks on pictures and hanging them in the Beech Cafe under the supervision of Lyn, the curator.
I took a few photos.
Five A3 IllustrationsPutting up Altered BooksThrough the Forest Altered BookA4 Illustrations – A Fragment of Forest (Blue), and H(e)art Tree.Steps to the LightTriptych of Three Dryads
The exhibition features some old illustrations and new box frames and altered books and the theme is ‘Into the Forest’. In the shop I have cards, books and badges for sale too.
At the beginning of June I spent a week in a little forest studio at the edge of King’s Wood in Kent. The idea was to take some time out to experience the wood at dawn, dusk and day, time to get inspiration for the book I’m writing. I was doing another mini immersion in nature.
The Forest Studio
I spent some time wandering in the nearby beech wood plantation, listening to the silence or gentle moan of the wind through the branches. It was like being within a giant underwater forest:
Beech Wood Plantation
There was such a contrast between the dark interior and the light exterior:
Edge of the Beech Wood
Wandering and looking at the beech wood trees made me think about the way I create woodland and tree altered books. So I have been making an “In the Beech Wood” altered book:
The Start of an Altered BookBeech Wood Altered Book
At dusk I went out to see if I could see nightjars in the chestnut coppiced area. I was lucky. For several evenings I heard their uncanny churring song and saw the dark shape of the males flying against the sky clapping their wings as they do to display to the female or ward off any other males encroaching on their territory. They were too fast and it was too dark to photograph them but I can picture them in my mind’s eye.
Nightjar
Nightjars are mysterious birds, birds which have attracted superstition and folklore down the ages. They’ve had many names including the name ‘goatsucker’, which stems from their Latin name Caprimulgus which means to milk nanny goats. The myth arose as nightjars were drawn to the insects surrounding livestock.
Dusk Night Dawn Writing Book
I wandered into the chestnut coppice by day getting to know nighjar territory and was surprised to find an old nest site with a couple of hatched eggshells!
I’m very into natural sound recordings and came across Be:One last year. It was created to accompany The Hive installation. The Hive was an installation by artist Wolfgang Buttress at Kew Gardens last year.
“An open-air structure standing at 17 metres tall and weighing in at 40 tonnes, The Hive encapsulates the story of the honey bee and the important role of pollination in feeding the planet, through an immersive sound and visual experience.”
Here’s a video about the soundscape:
There’s something hypnotic about the bees’ droning.
In the Ancient Greek world bees were worshipped as they represented a link between our world and the underworld. There were special priestesses refered to as “bees” or “Melissas”, the Greek word for honey bee. In Ancient Greek myth Melissa was a nymph who nursed the baby Zeus, feeding him honey instead of milk. It was from her that the cultivation of bees for honey was supposed to have come.
I’ve worked on a Bee Goddess illustration with this ancient bee nymph in mind. I’ve now made it into a card available in my Folksy and Etsy shops.
Bee Goddess
Since February I’ve been noticing many large bumbee bees while out walking. They’re queen bees seeking nesting sites. I came across a carder bee nest one summer which I was a little wary of but it was also quite charming like any nest!
For a book I’m writing I wanted to experience the dawn chorus in both the city and the countryside. In February I sat on my balcony and listened to the city birds waking up the day. Now it’s April, I chose to get up before sunrise yesterday morning and visit Butcher’s Wood on the outskirts of Hassocks with my partner Kevin.
We set off at 5.45am in the mists and when we arrived we parked in a suburban road of bungalows, cherry blossom and magnolia trees – all now in bloom. The sky was lightening rapidly as we made our way along the railway line footpath to the wood.
The woodland floor is now carpeted with wood anenomes beneath oaks, birches, coppiced hazels and hornbeam trees. I noticed lesser celandine, bluebells just coming up and dog violets too. The wood was already alive with song and the sun was yet to rise.
Wood Anenmes in Butcher’s Wood.
I recorded birdsong along with the passing trains heading into Brighton or up to London. I expect the birds sing more loudly here as they have to compete with this extra noise.
On the audio you can hear a persistant nuthatch, a wren, a chiff chaff, blue tit, great tit and a train passing.
I love the shapes of silhouetted trees with their bare, zig-zag branches against the eggshell blue and salmon sky; some birches bore misty crowns of newly emerging leaves and the hazel understory was yellow-furred with drooping catkins.
Sunrise in Butcher’s Wood
We wandered into a field edged with blossoming blackthorn and blanketed in a milky fleece of mist. It felt colder than inside the wood so we retreated back into the trees.
Misty Field at Sunrise
A while ago I was searching for images of papercuts and came across one I like very much called “Night Gathering” by Ed Pien. There’s something quietly mysterious about the indistinct figures in the lattice of branches. What are they gathering for at night? Why in the trees? Are they children? The figures merge with the tree. It’s an amazing work of art.
Night Gathering papercut by Ed Pien
According to his website, “Pien is not entirely sure what it is about trees that allure him and why they are recurring motifs in his cuts, but they speak to him of childhood adventure, of birth and death, and of fear and the unknown.”
My own art adventures with trees and forests continue with more altered books and box frames. Trees, woods and forests mean a lot to me. Within a wood my imagination can branch and grow. In a forest I feel protected in a complex web of secrets I wish to fathom. So often I have a longing for a secret place, a shadey forest retreat beneath the arms of a towering oak, or simply a forest in my mind.
Here is ‘Through the Forest’, which is currently on sale in my Etsy Shop. I hint at fairy tales with this altered book.
It started with my neighbour having a clear out and leaving a pile of white box frames on the wall outside my house (it’s common for people to leave stuff on the pavement with a note saying “Free, please take me!”). The box frames were in excellent condition and I had an idea of creating a layered illustration inside one similar to the way I make altered books.
My first attempt was of a deer in a glade. I took it to Studio 45, a little gallery near the Open Market in Brighton, where it promptly sold. I created more layered illustrated papercuts and bought some more box frames to continue the project. Those I’ve completed so far can be seen below. Some have gone to good homes, some are for sale in my Etsy Shop and Folksy shop and a couple are in galleries. They reflect my current themes of woodland, woodland edges and the wildlife that lives there.
Deer in the Glade Box FrameBlackbird Nest Box FrameEmerging at Dusk Box Frame – badgers!At the Woodland Edge Box Frame – fox!Owl at Dusk Box Frame
I am creating a separate page for box frames in the same way I’ve created a page for altered books. I’m still very much into pen and ink but soon I’ll get into colouring again.
